CAPARAÓ

180x80x30cm

Crafted in stainless steel, brass, and glass, the design of the Caparaó table is defined by an ellipse, much like planetary orbits in astronomy. The project’s central element is expressed through a continuous claw-like structure that closes in the manner of a ring setting to hold a gemstone—here, the glass.

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The design suggests both tension and lightness at once. Millimetric joints form the foundation of a piece defined by precise proportions.

The name refers to the Serra do Caparaó, located on the border between the states of Minas Gerais and Espírito Santo, Brazil—a region known for its altitude, rugged terrain, and multiple elliptical lagoons. It is a territory marked by mineral density and the prolonged action of time, characteristics that guide the structural reading of this piece.

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Within the composition presented in Milan, alongside the Itamarati armchair, the Bandeira lamp, and the Paraibuna chair, Caparaó acts as a centralizing and converging element.

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Its presence is firm yet balanced, allowing the binomial of architecture and furniture to coexist in an unexpected and complementary way. Faithful to Mobília Puro’s trajectory, the table does not rely on obviousness.

 Its character lies in its almost assertive and direct design, in the consistency of the perception of lightness brought by the sheen of the structure and the subtlety of the glass